Tag: novels

When the World Goes Quiet
Entertainment

When the World Goes Quiet

The narrator of Eliza Barry Callahan’s “The Hearing Test” is an artist in her late twenties named Eliza who lives in New York City. She wakes up one morning in August with a buzz in her ear that’s accompanied by the sound of “perpetually rolling thunder.” “It’s like God adjusting his piano stool but never getting around to the song,” she says. Her dog’s bark is “distorted and distant.” Her own voice sounds unfamiliar, the volume “dialed up and the pitch . . . shifted.” She’s supposed to board a plane to Venice that afternoon—her friend is getting married—so she rushes to an emergency clinic, where a nurse praises the cleanliness of her ears and a doctor administers a hearing test. Afterward, he announces, cryptically, “Bad luck.” The words have the ring of a diagnosis.Eliza has come down ...
Justin Torres’s Art of Exposure and Concealment
Entertainment

Justin Torres’s Art of Exposure and Concealment

According to the author Justin Torres, “Backstory and exposition are tricks of the adult mind.” That explains why his first novel, “We the Animals,” which is told from the shared perspective of three young brothers in upstate New York, unfolds not as a narrative but as a string of vignettes. The semi-autobiographical novel describes a family with not enough money or status to satisfy its hungers for food, dignity, safety, or belonging. The boys, born to a white mother and a Puerto Rican father, are halfway feral: their father, who has an explosive temper, disappears for days at a time; their mother works the overnight shift at a brewery. Parental love is abundant but expressed complexly, through touch, hard and soft, through delirious predawn meat loaves.“We the Animals” came out in 2011,...
The Year of the Female Creep
Entertainment

The Year of the Female Creep

A new literary character has logged on. It’s unclear how long she’s been here; her arrival itself went unnoticed. Instead of speaking, she lurks. Her profile picture is the default “girl” emoji, seemingly chosen for its inoffensiveness and opacity. No one exactly knows who invited her, but she must belong because, otherwise, she wouldn’t have come. Right?Vaguely menacing wallflowers have been haunting fiction for a while (Ottessa Moshfegh’s “Eileen,” Claire Messud’s “The Woman Upstairs”), but this year they took center stage. In “The Guest,” by Emma Cline, the main character, Alex, is a sex worker whose ultra-wealthy boyfriend (fifties, fitness nut) kicks her out of his house in the Hamptons. She spends the novel sidling through homes and beach parties, trying to avoid being exposed as an...
The Future of Legacy Admissions, and a Conversation with Esmeralda Santiago
Entertainment

The Future of Legacy Admissions, and a Conversation with Esmeralda Santiago

Listen and subscribe: Apple | Spotify | Google | Wherever You ListenSign up to receive our weekly newsletter of the best New Yorker podcasts.The practice of legacy admissions—preferential consideration given to the children of alumni—has emerged as a national flash point since the Supreme Court ended affirmative action in June. Even some prominent Republicans agree with the Biden Administration that legacy preferences should end. The New Yorker contributor Jeannie Suk Gersen speaks with the dean of admissions at a university that just ended the practice. And David Remnick talks to the U.S. Education Secretary, Miguel Cardona, about the politics behind college admissions.Plus, the novelist Esmeralda Santiago, whose latest book is “Las Madres,” speaks with the staff writer Vinson Cunningham...